Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Johann Sebastian Bach
Johann Sebastian Bach
Duet for Organ in G major, BWV 804
Interpretations
About This Work
Performers
Refine by: Performers
All
Rangell, Andrew
Labels
Labels
All
Steiway & Sons
Controls
Cover
Artists
Label
Movements
Andrew Rangell
Steiway & Sons / 30231
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
Published in 1739 at the end of the third Clavier-Übung (Keyboard Practice), his monumental compilation music for harpsichord, the Duetto (4) of Johann Sebastian Bach (1675-1750) are basically more elaborate two-part inventions. The third Duetto in G major, BWV 804, like the second in F major, is in embryonic sonata form with the outer sections in the tonic major functioning as exposition and recapitulation and the central section modulating through minor keys functioning as the development. Over a walking bass line in the left hand, the right hand first states the theme, a lyrical melody in short phrases. The left hand takes the second statement of the theme in the middle of the keyboard while the right hand spins out the theme as embellishments at the upper end of the keyboard. The left takes the third statement of the theme at the bottom of the keyboard while the right hand continues to spin out embellishments. The central development moves to the minor and climaxes with the theme stated in the minor in the left hand at the bottom of the keyboard. After a transition through imitative entrances of the theme in both hands, the theme returns in the tonic in the right hand at the top of the keyboard and the work closes with the theme once again in the left hand at the bottom of the keyboard and once again in the tonic major.
-- AllMusic.com
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
8A6416502F9D8C62082CDA0FB9D5B62C