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Johann Sebastian Bach

This invention remains in constant motion through its brief duration; the main line, in the right hand, is perky and chattering, while the left hand repeats everything just a few steps behind throughout. One of the problems this happy little canon presents is finding the right tempo; a beginner is likely to be laboriously slow, but a professional may be inclined to take it at such a fast, exhibitionist clip that the piece can sound more like clacking, windup toy teeth than music.