Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Elliot Goldenthal
Elliot Goldenthal
Popular
Works
Biography
Browse Works Refine By: Popular
Refine by: Popular
Most Popular
All
Biography
Composer Elliot Goldenthal was born May 2, 1954, in New York City, going on to study at the Manhattan School of Music under John Corigliano and Aaron Copland. He first rose to prominence in 1988 for his Obie Award-winning work on Juan Darien: A Carnival Mass, a collaboration with his wife, director Julie Taymor. The following year, Goldenthal also scored his first feature film, Gus Van Sant's superb Drugstore Cowboy, continuing to alternate between stage and screen throughout his career. In 1990, he composed "Shadow Play Scherzo," commissioned by ASCAP in honor of Leonard Bernstein's 70th birthday. "Pastime Variations," commissioned by the Haydn-Mozart Chamber Orchestra in celebration of the 75th anniversary of Ebbets Field, premiered at the Brooklyn Academy of Music that same year. Goldenthal returned to film in 1992 with his score to David Fincher's Alien, earning his first Academy Award nomination for his work on Neil Jordan's 1994 effort Interview With the Vampire. He and Jordan remained regular collaborators in the years to follow, teaming on pictures including Michael Collins, The Butcher Boy, and In Dreams. Arguably Goldenthal's most acclaimed project is 1996's "Fire Paper Water," an oratorio commissioned by the Pacific Symphony Orchestra in honor of the 20th anniversary of the Vietnam War; the Sony Classical recording of the piece featured soloist Yo-Yo Ma. After reuniting with Taymor on a stage adaptation of the Carlo Gozzi fable The Green Bird, in 1997 Goldenthal was commissioned by the American Ballet Theatre to compose a ballet inspired by Shakespeare's Othello; in 1999, he also scored Taymor's first feature film, Titus.
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
D38EFC7E5F5D36B359467FB16D4EC9D4