Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Rondo for Piano no 3 in A minor, K 511
Interpretations
About This Work
Performers
Refine by: Performers
All
Jacobson Fleisher, Katherine
Labels
Labels
All
Steinway & Sons
Controls
Cover
Artists
Label
Movements
Katherine Jacobson Fleisher
Steinway & Sons / 30083
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
This is a dark work, composed in Vienna in the spring of 1787, shortly after Mozart returned from a trip to Prague. There is little doubt that the composer was expressing feelings of grief here, but the source of them remains a matter of speculation. Despite the sense of sadness in the opening theme and related material, the music exudes an elegance throughout, as if restraint is applied to curtail any effort to wallow in sorrow or pity.
The main theme is beautiful in its delicate lyricism, auguring the intimate side of Chopin's artistic muse, not only in its music but in the form it generates throughout the piece: a five-note turn at the beginning of the theme serves to launch the ensuing livelier episode that follows. Here the mood brightens a bit, but, overall, the dark atmosphere cast by the opening melody is never dispelled. There are other such thematic relationships among the various sections, with the main theme's parts providing the springboard for the material in the alternating sections. In the coda the music takes on an anxious manner at the outset, but turns gentle and soothing on the partial, upper-register reappearance of the main theme. Lasting about ten minutes, this masterfully conceived work is among Mozart's finest piano pieces.
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
0954301218E53F83433368C22088E990